{"id":6121,"date":"2022-12-19T19:15:00","date_gmt":"2022-12-20T00:15:00","guid":{"rendered":"https:\/\/www.peggylee.com\/?p=6121"},"modified":"2022-12-21T07:18:25","modified_gmt":"2022-12-21T12:18:25","slug":"reassessing-peggy-lee-vintage-1972","status":"publish","type":"post","link":"https:\/\/www.peggylee.com\/reassessing-peggy-lee-vintage-1972\/","title":{"rendered":"Reassessing Peggy Lee, Vintage 1972"},"content":{"rendered":"\n<p>&#8220;In listening to <em>Norma Deloris Egstrom<\/em> now \u2014 hopefully with fresh, unbiased ears, and knowing that it represents a turning point in her career \u2014 it now more obviously belongs in another category altogether. In perspective, the album is part of a continuum with Frank Sinatra\u2019s <em>September of My Years<\/em> (1965) and Tony Bennett\u2019s <em>Astoria: Portrait of the Artist<\/em> (1989). In all three, remarkable artists take a selection of songs written by other people and transform them into highly intimate and individual statements, autobiographical reflections on life, love, youth, and maturity. The album is much deeper and more personal than many of us had previously realized.&#8221; [Source: Will Friedwald, <em>New York Sun<\/em>]<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.nysun.com\/article\/reassessing-peggy-lee-vintage-1972\" target=\"_blank\" rel=\"noreferrer noopener\">Read full article here.<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;In listening to Norma Deloris Egstrom now \u2014 hopefully with fresh, unbiased ears, and knowing that it represents a turning point in her career \u2014 it now more obviously belongs in another category altogether. In perspective, the album is part of a continuum with Frank Sinatra\u2019s September of My Years[&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":6095,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-6121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Reassessing Peggy Lee, Vintage 1972 - Peggy Lee<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.peggylee.com\/reassessing-peggy-lee-vintage-1972\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reassessing Peggy Lee, Vintage 1972 - Peggy Lee\" \/>\n<meta property=\"og:description\" content=\"&#8220;In listening to Norma Deloris Egstrom now \u2014 hopefully with fresh, unbiased ears, and knowing that it represents a turning point in her career \u2014 it now more obviously belongs in another category altogether. 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